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Meridian Magazine : : Home

Inspiration On Demand
Part 1
by Greg Hansen

Imagine being able to consistently get great ideas and solutions to everyday problems whenever you need them. Wouldn’t it be wonderful? How would it be to have the Spirit constantly? To get flashes of understanding as often as required to work with our children, jobs and church callings?

After twenty years of writing music on a daily basis, I have found that getting inspiration is more a matter of consistent preparation than sparse, singular moments of illumination. Receiving inspiration is, in my experience, a learned skill that can be practiced and perfected, rather than some elusive, uncontrollable mystery. Since I have had to learn to get inspiration to create music for so long to provide for my family, I have had terrific motivation to “get spiritual”.

Set Yourself Up for Success

First of all, it is important to understand that the creative process, inspiration, revelation, the Holy Spirit, meditation, and prayer are all part of the same whole, and there is no substitute for the basics of a noble life rooted in Christ-centered behavior. Our lives must first be in harmony with gospel principles as much as possible.

The belief that each of us is original, unique, and has something significant to say and do is fundamental to receiving the level of consistency of inspiration I am referring to.

I believe we are inspired 95% of the time, but do not take the time to listen or follow what we’re told. Inspiration is there for the taking, as much as we want it, if we learn how to get it.

Levels of Communication

In this existence, there are ascending levels of communication with our fellow beings. The illustration below shows “Body Language” at the bottom, and progresses in potency to the highest level, that of a visit from Christ. Speech has the ability to bring the Spirit, but music can transcend language, and combining visual and aural senses and music together in film is even more potent. The Holy Ghost can sear its influence into our very consciousness, while a visit of Christ requires a near-transfiguration of the body.

An Example of Undeniably Clear Inspiration

As a freshman at Rick's College enrolled in the music program, I was asked to conduct the music for one of the weekly devotionals, an honor usually reserved for professors. I suppose my teacher thought I was a reasonably good conductor, as I was taking his conducting class at the time. Of course I was flattered and humbled at the prospect of conducting a congregation of 6000, with a visiting General Authority as the speaker.

I found myself in front of an imposingly large audience, but managed to conduct the opening hymn reasonably well without incident.  As I sat down  following the hymn,  I felt a wave of reassuring confidence.

The General Authority’s talk was wonderful, and the Spirit was present. The time came for the closing hymn and prayer. The program listed the song as Abide With Me. I found the page and went through the hymn in my mind.

As I got up to begin the song, the organist began to play the introduction to Abide With Me, Tis’ Eventide. Either she or I had the wrong hymn! There I was, with two seconds before the intro was over, to find the right page. In the days of the old blue hymnal, those two songs were not next to each other as they are now in the green hymnal. Maybe this story is why that was changed! There was no time to turn to the index in the back and find the right page. What could I do?

I thought quickly: “Let’s see, one is in 3/4, the other in 4/4,-ok, I can do this”, so I closed my book and set it down on my chair. I began conducting as if nothing had happened, trying to lead with assurance, and watching the audience’s mouths to get the words.

A Horrifying Thought

After the second verse, I was beginning to feel like I was going to get through this just fine, and not make a fool of myself after all. Then an absolutely horrifying thought came to my mind: How many verses are in this song?

If there were three verses, and I kept going to a fourth verse, I would look like an idiot. If there were four verses, and I stopped after three, I would look like an idiot. There was no way out! I was doomed to be the biggest fool in conducting history!

As we began singing the third verse, I wracked my brain for what to do, all the while smiling and conducting away as if nothing were happening, I was tortured with panic and began saying a silent prayer - ”O Lord, pleeeeez help me out of this mess!”

A Voice In My Mind

The singing continued to about halfway through the third verse, when suddenly a voice came into my mind, as clear as could be, that said:

“There are always people who put their books down early on the last verse.”

I was saved! Sure enough, I watched the congregation, and about a fourth of them closed their books on the last phrase before the song ended.

I finished the hymn, sat down for the closing prayer, and afterwards my teacher came up and shook my hand, congratulating me for “memorizing the hymn.” He also gave me an A in conducting class.  I never told him what had really happened!

This was a great example of direct revelation that was undeniably clear.

An Example of Not Following Inspiration

In Paraguay in the depths of my mission, there was a neighborhood that had a retired military officer who still had his gun. He was an alcoholic, and was known throughout the neighborhood for his nastiness, shooting  other people’s chickens and dogs that came onto his property. The member family across the street warned us not to knock at his gate, because he hated the missionaries.

Being young and perhaps taking ourselves too seriously as servants of God, we decided one day to try him anyway. We approached the fence around his property and clapped at the gate.

He emerged from his hut, drunk as could be, swearing and cussing at us with words I didn’t even know existed in Spanish. Calling us every sort of name imaginable, he approached us at the gate.

My ears were burning with his language, and I will admit, I did not remain calm as the Spirit was telling me to do. As soon as he paused for breath, I told him in anger:

“Que tenga felizidad in su vida miserable!” (I hope you will be happy in your miserable life.)

He exploded in rage and began shouting:

“Where’s my gun? I’m going to kill these missionaries!”

As he ran back to his hut to get it, we started walking very quickly away from the gate. His wife panicked and started shouting:

“No! No! Don’t do it!!!”

We could hear all this commotion going on, and my junior companion said: “Let’s run!!” But this time I listened to the Spirit and said: “No, just walk calmly, as if nothing were happening.”

He roared over to the gate, screaming how he was going to kill us, all the while the wife shouting “No! No!” as the neighbors started rushing out to see what was happening.

Inches From Death

He lifted his pistol and fired at us. The bullet went inches between our two heads. Just after it passed, we rounded the corner to safety.

If I had followed the Spirit to begin with, and not gotten angry, I would probably not have put us in such danger. We reported it to the mission president, and he told us not to go in that area again for awhile. Duh. The only hard thing about that was not seeing the member family across the street.

After a time, we snuck though the back way over to the member family to get a report on what had happened. The man had been taken sick, and was lying on his bed for days, apparently near death. The predominantly Catholic neighborhood banded together and told him this was his punishment for shooting at the “servants of God”.  He became repentant, and sent word via the members that he wanted us to come and give him a blessing. We came and found him pale and helpless, barely able to speak.

We gave him a blessing, and within a day he ws completely healed. Unfortunately, he returned to his drunkenness, and did not join the church, but he did stop shooting other people’s chickens.

This was a good example of not doing exactly as the Spirit dictated, by letting myself get angry. I’m glad the Lord still worked through us in spite of my stupidity.

Next time: How to Be Inspired on Demand (part two).

Greg Hansen is a professional composer, arranger, and record producer living in Utah, with his wife, four kids and five horses. (www.greg-hansen.com)

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© 2003 Meridian Magazine.  All Rights Reserved.

 

About the Author:

Greg Hansen is an award-winning professional composer, record producer/arranger, and new age recording artist residing in Utah. He is a 1998-2003 11-time Pearl Award winner. In 1986 he won the prestigious Peabody Award for Broadcasting along with others for the radio drama series "Bradbury 13," based on the science fiction stories of Ray Bradbury. That series also garnered two Gold Cindy awards. Later he also scored the music for the United States Film Festival's Silver Screen Award-winning film. He also arranged and produced several of the tracks found on the 2002 Olympic CD.

His album "Wilderness" went to #21 on the national airplay charts (Gavin, Radio & Records) in 1994. It has been reviewed as "one of the most stunning and varied albums of this genre."

Greg has produced and arranged over 300 albums for various clients, and has over 800 sheet music arrangements and compositions in print. He has three solo albums and five compilation albums with his and others' material. He has scored more than 80 industrial and dramatic films for clients including the Public Broadcasting System (PBS), National Public Radio, Disney movie trailers, Discovery Channel,NASA, Turner Broadcasting, National Geographic, the LDS Church, and a host of others.

He has arranged for David Foster, Sony Music (Nashville), EMI Records (New York), The Bellagio Hotel Watershow Theme in Las Vegas; Bob Hope, The Osmonds, Senator Orrin Hatch, The Mormon Tabernacle Choir, the Miss America Pageant, Children's Miracle Network, Andy Williams, Theodore Presser Company, Hal Leonard, Shawnee Press, Jensen Publications, and Hope Publishing. He also arranged an entire educational series of over 1,200 songs from every phase of the United States' cultural pop music and world music history for Macmillian/McGraw Hill .

In the LDS music scene, Greg has arranged and produced music for Michael McLean, Janice Kapp Perry, Afterglow, Jenny Oaks Baker, Michael Dowdle, Felicia Sorensen, Hilary Weeks, Thurl Bailey, LDS church seminary films and TV commercials, Lex de Azevedo, Envoy, Especially for Youth, Gladys Knight, Kurt Bestor, Steven Kapp Perry, BYU, ((BYU—Idaho), and many others renowned in the industry.

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