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Relentless
by Clair Poulson
Reviewed
by Jennie Hansen
Relentless
is a powerful story that grips the reader on several different levels.
Poulson's own background in law enforcement which includes a stint
with the Utah State Highway Patrol, eight years as Sheriff, a member
of the national advisory board to the FBI, and now justice court
judge provides him with details that make his story's background
rich and authentic.
This book begins
with a teenager accidentally witnessing a double murder. The murderer
sees her and attempts to kill her, too. Though she manages to escape,
the experience changes her life. Five years later another teenage
girl becomes a hostage of the same murderer, who has escaped prison
and returned to the small Colorado town of Pineview to exact revenge
on those he blames for sending him to prison. So begins a nightmare
journey across Colorado, into Wyoming, touching Utah, and continuing
north toward the Canadian border.
The hostage,
Erika, begins the story spoiled, naive, and immature. Her focus
is all on what she wants and her cleverness in manipulating her
parents. Bored with a family camping trip and her father's cooking,
she plays one parent against the other to finagle a trip by herself
to a nearby small town for breakfast and supplies. In the small
town of Pineview, she eats breakfast at the only café in
town, meets the local police sergeant, and stops at the Quick Stop
for supplies. There she has the misfortune of becoming a witness
to the shooting of the elderly clerk in a botched holdup and finds
herself, along with two other people, being held at gun point by
the thief she soon discovers is an escaped murderer.
By slow degrees
as Erika becomes the sole hostage and learns how completely she
is at the mercy of her captor, she learns to put others before herself.
At first she makes dumb decisions because of her fear and her own
immaturity, but as the horrible chase continues, she becomes aware
of the intense danger those they encounter face, until she reaches
the point where she is willing to lay down her life that someone
else might live. This growth is presented so subtly it feels authentic.
Butch Snyder
elicits some sympathy when the reader learns of his unhappy childhood
and the pain he suffered as his father was unfairly ridiculed and
of the injustices his family suffered. The police fear Erika may
become one of those hostages who identify with their captors to
the point he or she cross over the line of sympathy to become abettors
to crime. Butch is full of hate and rage, far beyond what can be
excused by his earlier slights. He's also young, fairly attractive,
highly intelligent, a top marksman, and without conscience.
Jan, a young
female trooper, is assigned to the chase. She's a remarkably competent
officer, but is terrified of the suspect she is pursuing. Even his
name brings back her own fear of the time his eyes had met hers
and he had vowed to kill her. She shares a strong rapport with her
fellow officers, but if they knew the secret she has kept for five
years, she wouldn't be involved in the search for Butch Snyder and
his hostage. Along with her personal fears, she also must deal with
her growing attraction for the young man who is Erika's boyfriend.
Bob Evans,
the boyfriend, is quite a bit older than Erika. He isn't sure he
loves her, but he does like her a lot and enjoys not only being
with her, but being seen with the pretty teenager. He travels from
California to Colorado when he learns she has been taken hostage,
and though he becomes involved in the chase merely because someone
is needed to drive a car to another location after officers have
been flown there, the officer in charge likes him and approves of
the affect he has on Jan. Sergeant O'Conner allows him to remain
in the background during the pursuit where he becomes confused about
his feelings for the two young women and is dragged into the action
on several occasions in spite of his effort to obey orders by staying
back.
Perhaps the
most endearing character is the Pineview sergeant, Mike O'Conner
who accepts the assignment to follow the young prison escapee he
sent to prison five years earlier. He's not as young as the others
involved in the chase; his hair is turning gray and he has a daughter
almost the age of the young victim, but his commitment and tenacity
never quit.
Most of the
officers involved in the chase are portrayed as dedicated, competent
lawmen, but there are a couple whose arrogance incites the kind
of problems that give law enforcement officers a bad name in many
quarters and greatly frustrate good lawmen.
Without ever
becoming preachy, Poulsen leads his readers to an understanding
of the slow steps involved in moving from self-absorption to a love
so great it would be unthinkable not to lose one's self in service
to others. His characters also learn the difference between praying
because LDS people are brought up to pray in times of stress, and
the prayer that comes from deep within the soul and hovers continually
in the person praying's heart and mind. He touches, too, on the
part faith plays in dealing with fear.
Though Relentless
is in my opinion the best book Poulson has written, it
is exasperating, too. Here's an author with a powerful story to
tell, superb timing, a great plot, authentic background, and likable,
believable characters who could have easily turned a "good" book
into a "fantastic" book by paying better attention to basic writing
technique. Far too many times the reader must re-read sections to
discover who thought or said something. Poulson does not stick to
one point-of-view through an entire scene, which leaves the reader
confused. In fact, the author seems confused as to what actually
constitutes a complete scene.
His action
would be bolder, without being any more graphic, if he got rid of
most of the 'ly" adverbs he tacks onto his tag lines. I will give
him credit for improving this problem a great deal since his last
novel. The repetitive use of "already" instead of "all ready" is
jarring and detracts from the smooth flow of the story. He would
also benefit from watching the sequence of events with greater care.
There are several instances where the reader cannot be certain whether
a piece of action happened an hour ago or whether the person talking
learned of it an hour ago. Several scenes, especially the prologue,
would be improved a great deal from more showing and less telling.
Relentless is too fine a novel to be hampered by
these shortcomings common to new or amateurish authors. Poulson
is not an amateur, neither is he new. The power found in Relentless
verifies Brother Poulson's talent, now I hope he will master technical
skills to match.
The technical
flaws in Relentless won't keep a reader from thoroughly
enjoying the story, but they do detract from an otherwise great
reading experience. Some of Poulson's female characters in previous
books have had a slightly cardboard quality, but he has pretty well
conquered that problem in this book, making it quite definitely
a keeper. I suspect both male and female readers will enjoy this
gripping adventure with a tender side.
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