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CUTTING
EDGE
by Jeffrey S. Savage
August 2001, Covenant
Communications, Inc.
Trade paperback,
357 pages
$14.95
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Sharpening
the Blade on the Cutting Edge
by
D. Michael Martindale
I'm sure most
of us, when we were young tykes, tried our parents shoes on. It
was fun clomping around in them, but didn't it look silly to have
our tiny feet trying to fill those huge shoes!
Jeffrey Savage's
Cutting Edge is like that. It's not that tiny feet can't
get the job done. They can pitter-patter kids around with greater
energy than most adults manage. It's just that they look pretty
silly when they try to wear shoes that are too big for them.
Cutting Edge
is billed as a high-tech thriller. This evokes images of sweeping
global conspiracies and shadowy professional villains. Even the
title makes a bold claim, suggesting sexy technology that pushes
the boundaries of science fiction. If this is what you expect to
read when you pick up Cutting Edge, you'll be disappointed.
This ain't no Tom Clancy for Mormons.
But what is
there somehow grabbed me, in spite of my desire to resist it. The
story was slow in starting up with Savage making a classic new-author
error: an opening scene showing main character Travis Edwards doing
something mundane as he thinks about all the backstory the author
wants the reader filled in on. Not the sort of action-packed opening
one would expect from a thriller. In fact, the real hook of high-tech
intrigue is so late in coming, that Savage resorts to an utterly
superfluous prologue whose sole purpose seems to be assuring the
reader that this really will be a thriller.
But when Travis
and Lisa Edwards finally move from their safe extended-family cocoon
in Utah to Silicon Valley for his new glamorous job, the story finally
picks up, and we no longer have to rely on vague hints from a vague
prologue to sustain our interest. Travis' first day at his new company,
Open Door, is a fascinating portrait of one of those search-engine-turned-big-player
Internet companies whose success has surpassed the business savvy
of its management. Given Savage's own background in dot.com companies,
the reader must assume that the portrait is accurate. Inflatable
plastic furniture in the reception area, new age approaches to management,
computer-guru eccentrics who would fall under suspicion of mental
illness in any other environment.
Travis is schmoozed
into moving to California, contrary to his wife's adamant desire
to stay in Utah. But with the obligatory praying and feeling good
about the move, Lisa reluctantly agrees, and off they go. At first,
the move seems to be right after all. But before long, things go
horribly awry, as they must in a high tech thriller.
Travis starts
noticing strange things going on in the office. He begins to suspect
that the software files he's working on are being stolen, but by
the very person he turns them over to for testing. It makes no sense
to him at all--why would the person he's going to hand them to in
the next day or so bother to steal them?
The astute
movie buff might notice some influences in Savage's work from films
they'd viewed in the past. The disappearing-reappearing oddball
seems lifted right out of Real Genius. The game of guess-which-suspect-is-really-the-FBI-agent
reminds one of Whoopi Goldberg's Jumping Jack Flash. And
of course, the field is white already to harvest red herrings right
and left, like every mystery story ever concocted.
Too often for
my tastes, Travis is more blockheaded than a person of his intelligence
ought to be. This seems to be a common trope in mysteries, but it's
an irritating one. And the climactic action scene at the end forces
the average-Joe hero to stretch himself to the limits just to save
his life. Again, this is to be expected in an action story, but
I got the sense that the scene dragged on a bit longer than was
wise, with each minute he survives straining credulity just a little
bit more.
But the story
still grabbed me. I didn't like the prologue; I didn't like the
slow beginning; I eyed the characterization with a bit of suspicion;
I thought the hints and red herrings could have been painted with
a more subtle brush; I wanted to read with a red pencil to correct
the many punctuation errors. In spite of all this, I ended up with
a page-turner in my hands. Savage wrote a story exciting enough
to keep me going, to make me want to see what happens next in spite
of the fact that it was well past my bedtime.
The Mormonness
of the main characters mostly works. Mercifully we are spared any
heavy-handed inspirational message when all we want is some fun
reading, but the Edwards' religion comes into play in ways that
are authentic. We even get a home teacher who becomes a suspect--how
fun! The paranoia that Travis begins to feel, even about the members
of his own ward, is a fresh twist in the world of LDS fiction, and
provides a uniquely Mormon mood of creepiness.
But we never
get to sweep the globe. Our villains are just local turkeys stumbling
through their conspiracy. The "cutting edge" technology of the book
is nothing more impressive than a supercharged Internet search engine.
The antagonist motives are mundane: trying to make the big bucks
in a viciously competitive industry as several companies vie to
go public first so their stock can be the one that skyrockets.
Nonetheless,
Savage does get enough things right. He foreshadows well. His characters'
backstories don't always amount to much, but the episodes and oddities
that happen in the present are put to good use to further the plot
and justify turns of events. The "cutting edge" technology is integral
to the resolution of the main conflict, as it should be in a techno-thriller.
The mastermind villains are sufficiently disguised to make the mystery
work.
And the smallness
of the scope actually brings the book down into the realm of greater
believability. We don't get Tom Clancy bigness, but the events that
do occur one can actually imagine happening to a regular guy. Why,
the CIA doesn't even recruit Travis to be spy-for-a-day!
Besides the
usual small weaknesses one typically finds in an author's first
published novel, Cutting Edge more than anything gets its
edge dulled by overambitious hype. In their zeal to sell the book,
Covenant seems to have handed Cutting Edge a pair of shoes
that its smaller feet can't fill. Savage's first novel is, when
all is said and done, an enjoyable read, if the reader counts on
a small, intimate tale of intrigue, and doesn't expect to sweep
the globe.
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