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by Thomas C.
Baggaley
I
have never watched the Oscars, the Grammys or, for that matter,
any of the other major award shows on television. I've never had
any interest. To sit through hours of watching beaming celebrities
thank their agent, their dog, and anyone else they can think of
(most of whom we've never heard of before) for making it possible
for them to receive whatever accolades they had just received just
hasn't sounded very entertaining to me. (Okay, I realize there is
more to these shows than that - live music performances, a usually
pretty funny host - but they still take a chunk of time out of the
show to actually give the awards.) In fact, I have thought that,
since I am a composer by trade, if I were to somehow be nominated
for one of those awards, I would, of course, be thrilled, but would
still try to find a way to graciously be unable to attend the actual
ceremonies. I’d never get away with it. I already tried that trick
when I graduated from UCLA, but she correctly felt that she had
earned the opportunity to attend the graduation and insisted that
I participate.
On
Friday night, however, without a thought of trying to excuse myself,
I did attend the 2003 Pearl Awards of the Faith Centered Music Association.
To me, the Pearl Awards are a bit different. Of course, walking
into the Cottonwood High School auditorium, you wouldn't be immediately
aware of that difference. It had been remade to look as professionally
extravagant as the Shrine Auditorium or any of the other sites of
major awards ceremonies - very impressive. The difference is in
the people involved - from the presenters and recipients of the
awards to the volunteers, cast and crew involved in the event's
production.
These
are not multi-millionaire celebrities being honored. I know quite
a few of them personally. They are just regular people who daily
face the same challenges I do, and not just because I am also a
composer. They are Latter-day Saints. They have callings to magnify
and home teaching or visiting teaching assignments to fulfill. Many
of them are struggling to raise families in a righteous way. Their
highest aspirations are the same as mine, and those aspirations
extend beyond the mortal sphere to celestial realms. We are bound
together, as members of the church everywhere are bound, by common
beliefs and common goals. And the central theme of the night, much
like a monthly testimony meeting held in chapels worldwide, was
faith in and gratitude to our Heavenly Father - as expressed through
music.
Lest
you be left with the impression that the meeting was some kind of
church-like solemn gathering, let me quickly add that it was really
a great show and a lot of fun. This was the sixth year that the
Faith Centered Music Association had sponsored the awards which
recognize "excellence in faith centered music." Think
of it as the "Latter-day Saint Grammy Awards." Twice the
television broadcast of the event has been nominated for a regional
Emmy Award. I don't think anyone will be surprised if this year's
broadcast (KTVX, ABC4 on Sunday, July 13 in Utah) racks up another
nomination.
Host
Scott Christopher was in top comedic form, and the show, scripted
for the third year by Daryn Tufts, featured humorous references
to a number of timely topics, ranging from Cleanflicks to the current
drought conditions in the Western United States - always poking
a little good-natured (but inoffensive) fun at Mormon culture. Included
were a nice array of presenters, including Academy Award winner
Kieth Merrill, Kirby Heyborne (The R.M.) and Heather Beers
(Charly). And, of course, this was a music awards show, so
it would not be complete without a collection of live performance
musical numbers featuring songs by Eclipse, Hilary Weeks, Jericho
Road, Fiddlesticks and others. In fact, the variety of styles and
music presented was both startling and impressive, especially when
you consider that this wide range of music finds its roots in a
church that some have accused of being culturally monolithic in
the past.
Of
course, I haven't yet mentioned the winners. Multiple winners on
the night were Michael Dowdle (Sacred/Classical Instrumental Song,
Sacred/Inspirational Instrumental Album & Instrumental Recording
Artist of the Year), Kenneth Cope (Sacred Song, Inspirational Album,
Male Recording Artist of the Year), Hilary Weeks (Holiday Song,
Female Recording Artist of the Year), Cherie Call (Inspirational
Song, Songwriter of the Year) and Jericho Road (Contemporary Song,
Performing Artist of the Year). Senator Orrin Hatch received a special
Humanitarian Award and Jerold Ottley, former director of the Tabernacle
Choir, and his wife JoAnne received a standing ovation as they accepted
Legacy Lifetime Achievement awards.
I've
already mentioned how I feel about sitting through acceptance speeches,
and there were no timeless "You love me!" Oscar moments
(a la Sally Field) to be had here, but given the purpose of the
awards and the people receiving them, it was kind of a unique situation.
In fact, sometimes the winners sounded more like they were bearing
their testimonies than accepting an award - only with a twenty second
time limit. (One young artist even started to finish his speech
"In the name of..." before catching himself.) You'd think
that this might be a little distracting, but instead it made the
evening feel nice and familiar, and as a result, most of the artists
displayed a level of humility and unfeigned faith and gratitude
that I doubt you would see very often at the Academy Awards.
There
were some very nice moments. Stephanie Smith seemed genuinely surprised
to win New Artist of the Year. Senator Hatch made some very nice
comments about the support he received from songwriter Janice Kapp
Perry when he started writing songs himself. Many of the winners
thanked spouses and family members who have been supportive as they
pursued their dreams. Most of the artists also expressed gratitude
to be able to express praise the Lord through music. All of their
comments seemed genuine and heartfelt.
As
I sat back in the press room after the show reflecting on the evening,
I could not help but think about connection and camaraderie that
had been a tangible part of the night's event and the genuine niceness
of everyone from the event coordinators to the nominees and winners.
There
was one moment that really typified the evening for me. At one point,
Abe Mills, one of the members of the popular singing group, Jericho
Road, approached me. He had noticed my press ID tag and knew I wrote
for Meridian Magazine. He seemed almost shy as he told me that he
liked Meridian and read it whenever he could. Humble is a much better
word for it. I half expected him to ask me for my autograph or something,
and I had to smile. If the two of us were to walk through the University
Mall in Orem, he would have a million times better chance of being
recognized than I would, and yet he managed to make me feel like
the celebrity. I doubt that would happen at the Grammys.
Winners:
2003 Pearl Awards
Song
Winners:
| Area |
Title |
Artist |
Producers,
Writers & Arrangers |
| Sacred |
"Hear My Praise" |
Kenneth Cope |
Kenneth Cope & Tyler Castleton, Producers |
| Inspirational |
"One Good Woman" |
Cherie Call |
Tyler Castleton, Producer
Cherie Call, Writer |
| Contemporary |
"A New Day" |
Jericho Road |
Tyler Castleton & Jenny Frogley, Producers
Tyler Castleton & Jenny Frogley, Writers |
| Sacred/Classical Instrumental |
"Jesus Once of Humble Birth" |
Michael Dowdle |
Michael Dowdle, Producer
Michael Dowdle, Arranger |
| Inspirational Instrumental |
"Book of Mormon Stories" |
Clive Romney |
Clive Romney, Producer
Clive Romney, Arranger |
| Contemporary Instrumental |
"See Spot Run" |
Fiddlesticks |
Katie Davis, Producer
Katie & Elizabeth Davis, Writers |
| Holiday |
"Christmastime" |
Hilary Weeks |
Tyler Castleton & Kenny Hodges, Producers
Hilary Weeks, Arranger |
Album
Winners:
Area |
Album |
Artist |
Producers |
| Sacred |
"We’ll Sing and We’ll Shout Vol. 2" |
Barlow Bradford & Mack Wilberg |
Barlow Bradford, Mack Wilberg & Tyler Castleton, Producers |
| Inspirational |
"Hear My Praise" |
Kenneth Cope |
Kenneth Cope & Tyler Castleton, Producers |
| Contemporary |
"Acoustacism" |
Kalai |
Sam Cardon & Kalai, Producers |
| Sacred/Inspirational Instrumental |
"Twenty-five Beloved Hymns of Christ" |
Michael Dowdle |
Michael Dowdle, Producer |
| Contemporary Instrumental |
"Innovators II: Keepers of the Flame" |
Kurt Bestor & Sam Cardon |
Kurt Bestor & Sam Cardon, Producers |
| Theme or Concept |
"Whatever It Takes: Music to Inspire & Strengthen
the Youth" |
Various |
Tyler Castleton, Producer |
| Musical Presentation or Soundtrack |
"Charly – Original Motional Picture Soundtrack" |
Various |
Aaron Merrill, Producer |
| Compilation |
"Sidewalk Serenade" |
Timpanogos Songwriter Alliance Association (TSSA) |
Artist
Winners:
| Area |
Artist |
| Male Recording Artist of the Year |
Kenneth Cope |
| Female Recording Artist of the Year |
Hilary Weeks |
| Instrumental Recording Artist of the Year |
Michael Dowdle |
| Group Recording Artist of the Year |
Eclipse (Paul Hansen, Patrick Rose, Shane Taylor, Daniel
Kartchner, Kevin Jones & Kirk Mecham) |
| New Artist of the Year |
Stephanie Smith |
| Producer of the Year |
Greg Hansen |
| Songwriter of the Year |
Cherie Call |
| Performing Artist of the Year |
Jericho Road |
Other
Winners:
Orchestrator/Arranger
– Greg Hansen
Studio Musician – Rich Dixon
Studio Vocalist – Jenny Jordan Frogley
Engineer – Barry Gibbons
Album Design – “Parables” – Scott Eggers
Radio Show – Joan Peterson – KOSY 106.5
Retail Manager – Kumen Skinner – BYU Bookstore, Provo, Utah
Record Label – Inspirational Music Showcase/Sounds of Zion
Senator
Orrin Hatch received a Humanitarian Award
Jerold
and JoAnne Ottley (together) received a Legacy Lifetime Achievement
Award
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