M E R I D I A N M A G A Z I N E
Joseph in Egypt
By Bonnie Oswald, BFA, MA
When I began the study of art history as an undergraduate
art major, I found Egyptian art very weird. It seemed that
the people depicted couldn't decide which direction they
were going. The slides we were shown in class were dark
and very poor, and uninspiring.
Will Cuppy, in "The Decline
and Fall of Practically Everybody," said, "Their
hieroglyphics, or picture writing, consists of owls, canaries,
garter snakes, and the insides of alarm clocks." I
agreed with him. Then, as a graduate student in Boston,
I discovered the Egyptian art in the Boston Museum of Fine
Arts, and I changed my mind fast. The statues were huge
and overwhelming. I even loved the jewelry for the Pharaoh's
horses.
But Egyptian art takes some explanation. The figures were
drawn with a rigid set of guidelines as to proportion, and
they are depicted with a device known as frontalism, in
which the shoulders, eye, and torso were shown from
the front, while the head, neck, legs, feet, arms and hands
are drawn from the side or in profile. This shows each of
these body parts in its simplest, most easy to identify
view, giving a representation of the essence of the king,
but not a literal portrait.
Some 4000 years later, Picasso used a similar device, combining
different views in a single image.
In Egyptian art, males were painted with red/brown skin while females were painted with paler or white skin. The pharaoh was shown larger than others in the single picture. Pharaoh was also shown wearing a ceremonial beard. Hatshepsut, the only woman to hold the position of pharaoh for any length of time, wore a false beard at ceremonial functions, and was often depicted as a male with red/brown skin.
The desire of the Egyptians to preserve the body extended to the statues of the Pharaoh and Queen. Hands and arms were close to the body, and the hands were usually fists, to protect fingers. A large portion of stone was still attached to the back of the statue to increase stability. In fact, the only part of these ancient statues to suffer significant damage was usually the nose.

A drawing of a tomb painting
showing a brilliantly colored scene of the Pharaoh Nebaman
and his family hunting birds using a throwing stick. The
Pharaoh is larger than the other figures. His wife and son
are shown on the small boat. The son wears the typical shaved
head and sidelock that identify him as the son of the king.
(Nebaman Hunting Birds, a fragment of a wall painting. Thebes,
1400 BC. British Museum, London)
Semitic people
― Canaanites and probably Israelites ― came
to Egypt for centuries as traders and in times of drought
or famine. Sometimes they came as slaves. While Northern
Egypt shares the same general climatic conditions as Canaan,
Egypt's economy depends on the Nile, the longest river in
the world. Weather in Africa, far to the south, affects
the annual Nile flood, and crops can be lush in Egypt while
Canaan is dry.
This tomb painting shows Semitic traders coming to Egypt.
They are depicted in Egyptian style art, with the men red/brown,
but with the clothing and beards of the Semites. The men
shown here were probably metalsmiths, and they are carrying
weapons.

Artist's rendering of a portion of a painting
in the tomb of Beni Hasen ca. 1900 BCE, showing Semitic
traders coming to Egypt.
Joseph would have come to Egypt as a slave at an unusual time in the 3000 years of Egypt's history. During a period when Egypt was ruled by weak kings, and was unstable militarily and politically, a group of foreign invaders was able to overthrow the monarchy. They were known as the Hyksos, a name that means "foreign rulers" or "shepherd kings." They were Semitic, and had names related to Israelite names. They ruled primarily in the Northern part of Egypt, and conquered Egypt using superior weaponry that the Egyptians did not have ― body armor, metal weapons, horses and especially chariots.
This period, known as the Second Intermediate Period, lasted for about 100 years, from 1650 BC to 1550 BC. During this time, the Hyksos gradually spread south and adopted the language and customs of the Egyptians. Eventually the Egyptians, adopting the weapons of the Hyksos, were able to drive the hated Hyksos from Egypt. Many of the events of the Old Testament probably occurred during this time.
Abraham may have
come to Egypt during the reign of the Hyksos. When he came,
the pyramids would have been at least 500 years old. Most
scholars think that Joseph definitely came to Egypt during
the Hyksos period. Egyptians maintained a very closed and
snobbish society, and it is unlikely that a foreigner would
have been given the position of responsibility that Joseph
held. The Hyksos were closely related to Joseph, spoke the
same language and had a Semitic relationship. Joseph would
have been accepted by them.
The early art of the Hyksos reveals their Canaanite roots,
and is dramatically different than that of the more artistically
sophisticated Egyptians. Over the 100 years of Hyksos rule,
they adopted the art and architecture of the Egyptians,
probably using Egyptian craftsmen, but their early art is
very different.
The sun had always been worshiped in Egyptian theology. The 5th dynasty temple at Heliopolis worshiped Aten, the sun disk. The city of Heliopolis was called by the Egyptians "Iunu." In the Bible we find it as "On."
When Amenhotep III died, his son, who had been co-ruling with him for the last years of his life, assumed the throne.. Suggested dates vary from 1369-1332 BC to 1351-1336 BC for his reign. He changed his name from Amenhotep IV, which means "Amen is pleased," to Akhenaten (Serviceable to the Aten).
The Egyptians
had always believed in many gods. Akhenaten believed in
one god only, the sun disk. He closed all the temples and
removed the powerful priesthood, and decreed that he alone
was the only intermediary with god. He moved the capitol
to a city he built called Akhetaten (now Tell el Amarna).
The art of this period (known as the Amarna Period) changed
dramatically. His beautiful wife was the famous Nefertiti,
and they are depicted in murals and carvings in relaxed
poses, and loving family scenes with their daughters, quite
different from the rigid art of other Pharaohs. It
is curious that while the Israelites were in Egypt, with
their strong belief in one God, that Akhenaten would change
the religion so drastically to a belief in one god. He is
often known as the "heretic king."
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